Books and weaving with Shutters & Shuttles

What's better than a friendly, unannounced email from a fellow artist?

I recently received a complimentary note from Nashville fiber artist Allison Shelton, of Shutters & Shuttles. She said she couldn't believe we hadn't met yet, and neither could I. We had crossed paths often at local arts shows — including at Porter Flea, where I show up in some of her photos — and I had seen her work in shops around Nashville. But we hadn't yet connected.

We decided to meet to discuss a weaving and bookbinding collaboration. After a rendezvous at a coffee shop, she invited me to visit her in-home studio. No surprise, it turned out to be just blocks from my home. You never know what great, creative things are going on in East Nashville!

Inside her studio, I marveled at the spools and spools of yarn. Plus, I had never really seen how a loom works. I didn't realize how big it would be.

It was exciting to watch Allison work on fabric that I would soon use for bookbinding. We looked together through samples of patterns to choose what we liked best. And by the time I went home, I was able to take along some varieties of fabrics to begin using. You can see one of them in first photo below (top left) on her work table.

I also found some surprises, including one of Allison's experiments.

On her website about page, she refers to a poem she wrote in fourth grade, when she described herself as a "reptile lover." That strikes me now, having seen one of her most interesting woven designs, which incorporates snakeskin. In another, she used cassette tape ribbons.

In the next few days, I hope to being work on a book that will feature the woven design that Allison has completed. I'll have more photos to come, but in the meantime, please check out Allison's work.

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Handcrafted photography meets handbound books

This summer I was treated to a truly special photo shoot with Mary Clark of psalm27creative behind the lens. When Mary Clark and I first met, we were both newcomers to Nashville working on building our  own creative businesses.  She is a photographer with a passion for creating handcrafted keepsakes for displaying photos, which of course resonates with my own personal mission as an artist. 

I was so excited when we decided to collaborate and share our creative talents. After seeing Mary Clark's portfolio of images that she's taken of other creative businesses, I asked her if she would take some photographs of me and my books that I could use to promote linenlaid&felt.  In exchange, I create a one-of-a-kind handbound psalm27creative photo album for Mary Clark to display her work.  (Click here to see a sneak peek of the logo that Mary Clark stitched onto the cover of her book to personalize the cover!)

On the day of the photo shoot, we got started early to take advantage of the beautiful morning light and to attempt to stay cool on a day when the temperature surpassed 100 degrees in Nashville.  We began with some pictures of me and my handcrafted books in Shelby Park in East Nashville.  Then we headed to the pedestrian bridge to take some photos with a more urban feel, featuring the Nashville skyline in the background.

After our outdoor photos, we retreated to my studio to beat the heat and to capture the location where  my creativity flourishes.  She photographed all of the little details in my studio: rolls of decorative paper, my inspirational tack boards, spools of colorful waxed linen thread, and my collection of bookbinding tools. She also documented the process of me creating a custom wedding guest book, binding each set of pages one by one.  

You may have seen some of these new photos starting to appear on my facebook page, in my online shop, and in the new About page on Etsy.  To see even more, be sure to visit the psalm27creative blog at the links below:

View photos from the first part of the linenlaid&felt photo shoot here.

View photos from the linenlaid&felt studio here.

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The Skillery launches, and I'm teaching book arts

I'm excited to announce my latest bookmaking class and the awesome organizing force behind it: The Skillery, a new project in Nashville promoting interesting classes and lectures. The Skillery community connects people looking to teach (all sorts of things) with neighbors interested in learning.

Launched on 11/11/11, The Skillery is busy promoting four classes, including mine about miniature books as holiday ornaments. And if you're reading this today, Saturday, Dec. 3, you can use a special discount code to save 20% off the workshop price (note it's only available today). Details below.

Connecting with Matt, who launched The Skillery, is just the latest great connection that has cropped up in East Nashville. He found my work online, we grabbed coffee together, and it's been an exciting time ever since, as this project gets started. I'm pretty sure that even my husband will soon be teaching classes: Most likely juggling!

Here are the details for my class, just four days away:

INTRO TO BOOK ARTS: HOLIDAY BOOK ORNAMENTS

Wednesday, Dec. 7, 7-9 p.m.

What If Studio, 69 Trimble Street, Nashville, TN 37210

Create eye-catching miniature book Christmas ornaments in this introductory bookbinding class. We’ll make sculptural books with surprising folded structures and functional journals that can be given as gifts to friends and family. This introductory class explains the fundamentals of bookbinding, including proper techniques for folding, stitching, and gluing, as well as varied binding styles using high-quality decorative materials and traditional binding tools. All materials will be provided. This class will give you the techniques, ideas and resources to continue making handbound books.

Admission: $28, and includes all materials and supplies

Tickets available here: http://www.theskillery.com/intro-to-book-arts/

One-day promo code: PORTERFLEA

The Skillery: website | twitter | facebook

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Making paper by hand

I've been taking over the house once again with my latest creative project -- papermaking.  (Thankfully my husband doesn't seem to mind, and he even stepped in to take some photos of the process so I could share them here.)  

I met a local bookmaker, Laura, here in Nashville soon after moving to town.  We then met up for coffee to chat about books and new techniques we wanted to try.  We decided that papermaking should be our first project and we wasted no time with getting started.  We made these lovely lavender sheets of paper last week, and we've since made a new batch of raspberry-sherbet-colored paper and have several bags of paper pulp in my fridge prepared for our next papermaking adventure.  

The bowl above is filled with little torn-up scraps of paper leftover from making books.  For about a week, I collected all of the little bits of paper that were too small to be reused.  Then I soaked them in water for about 12 hours.  Then Laura and I blended the paper scraps into pulp using her smoothie maker that she donated to the papermaking cause ("the sacrificial blender," as my husband called it).  

Unfortunately, I didn't get any pictures of the blended paper pulp this time.  You might expect it to look like a gross and gooey mess.  But it's surprisingly soft and has a really luxurious feel to it.  It's actually quite nice to dip your hands into it during the process.  

Next, we added our pulp to a large vat of water.  Then we'd dip our mould and deckle (made by Laura!) into the vat to pull a sheet of paper.  With each sheet I pulled, I loved seeing the assortment of speckles and flecks of paper that happened to make it onto the mould because they remind me of the books I'd made with those different decorative papers.  

After pulling the sheets, we'd press them from the mould onto pieces of cloth, and eventually set them out to dry in my living room.  (It's been much too humid to dry them outside.)  It took about a day for the sheets to dry completely.  Once dry, Laura and I got together again to gently peel our sheets of paper off of the cloths.  

And here's the end result:

We experimented with using different types of cloth to press our wet sheets of paper on to dry.  The textures of the cloth effects the final texture of the paper.  You can see an examples of the different textures below.  We used linen, felt, and cotton to achieve different textures.  The sheet on the left was pressed onto felt; the sheet in the center was pressed onto linen, and the sheet on the right was pressed to a wrinkly piece of cotton.  We also experimented by rolling wet sheets of paper onto plexiglass, which yielded an incredibly smooth texture. 

I love textured paper.  In fact, such textures are the namesake of my business: linenlaid&felt.  (You can read more about that in the FAQ section of my website.)  While commercially-made papers of these names are made to resemble the textures of these cloths, making paper by hand allowed for us to create these textures ourselves.  Laid paper refers to the lines impressed by certain types of papermaking molds, like those that I used in Italy.  

Both Laura and I have already put our new sheets of handmade paper to use.  I made two Italian longstitch journals last week with suede covers and pieces of our handmade paper as decorative accents inside.  It has been a while since I've made a book for myself.  I'm typically busy working on custom orders, books for my shop, or gifts for friends, so I decided to take the time to make a book just for me. 

The book on top is the one I've decided to keep.  Because these books have the suede straps that wrap the book and keep it shut, it will be the perfect portable book to keep with me to jot down notes on the go.  And as an added bonus, I'll always have an example of my work with me to show as a response to the blank stares I often get when I tell people that I'm a bookbinder.  The other book that I made (the one bound with lavender thread) is now for sale in my etsy shop.  

Laura kindly made a monogrammed bookmark for me using the paper that we made together.  She makes the most adorable miniature books and book jewelry, and she will also be selling her work at the Handmade & Bound festival in a few weeks.  I love seeing the little purple pages peeking out from the little book and knowing that our handmade paper is going to good use.  

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The Borders Within

This past Sunday, the newspaper where my husband and I work published a special report called The Borders Within. For my husband Tony and our good friend Chase Purdy it was the culmination of a year's worth of reporting about the growing Hispanic population in our town.

And for me, it marked the end of an incredibly busy week spent designing the six-page section. This is undoubtedly the project I am post proud of during my two years designing for The News Virginian. I'm also quite proud of the work that Tony and Chase completed with their reporting which makes this even more meaningful to me. I don't often share my graphic design work on this blog, but I wanted to make an exception for this particular project.

Click on any of the images for a closer look at the design, or view a pdf of the full section here.

One aspect of the design that came together even better than I'd expected was the map on page two. I created a map of our small town, and used it to plot different points of significance to Waynesboro's Hispanic community, like the a church offering weekly services in Spanish and a park where many people -- including former Mexican professional league players -- play fútbol. Local and regional statistics surround the map to complete the infographic.

Everything for this section was completed by Tony, Chase, and me. Reporting, writing, photography, design -- we did it all. So we all feel a real sense of ownership about this section. The photos that Tony and Chase took turned out so well, and they drive the design for the section. I was able to use a variety of large dominant photos and truly give a face to this community that is often overlooked.

We were also all excited to see that our section had been featured on Charles Apple's The Visual Side of Journalism blog. Charles had many complimentary things to say about The Borders Within, and specifically appreciated the visual appeal of the infographics, and the design of the section overall. Reading his post truly made my day, and was ceretianly a highlight after such a hectic week (and weekend) preparing for the section's publication.

And here's a bit more about the section, in Tony's words:

At its most basic, the idea behind the reporting in this section is not new. Like many reporters, we chose to explore an unfamiliar immigrant community and one that struggles with a language barrier.

But we thought we could deliver something meaningful to readers by bringing our curiosity to Waynesboro’s Hispanic community in particular — a community nestled into a small town and one that still remembers the first who came from Mexico, Cuba, Guatemala, and elsewhere. They remember because those pioneers arrived not so long ago.

Because of the short time these families have lived here, we find them on the cusp of transition. As that population meets more frequently with the broader community, those unfamiliar words and nameless faces become harder to ignore, or to refuse to understand. Their needs have grown. Their successes are mounting.

We chose to approach in Spanish whenever possible, no matter how much we’d stumble. We focused on people, not politics, and the ordinary as often as the extreme.

This project first arose in fall 2009, but it might not have started without an unsolicited call and a soft threat. The caller told us to feature Kim Romero’s struggle to bring her husband Rigo back from Mexico, where he’d become mired in immigration bureaucracy. If we wouldn’t write the story, some other reporter would, the caller said.

The Romeros’ story turned from one chapter to the next just after midnight Sept. 10, when Rigo came legally into Kim’s arms at Dulles International Airport. We were there. Rigo has since gained residency through 2020.

Their story isn’t over. Nor is our work.

Tony and Chase had already won the International Perspectives award from the Associated Press Managing Editors contest for their coverage of the Romeros earlier this year, and I think that is just the beginning for the recognition they will receive for their work. Read all of the articles in The Borders Within series here.

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Flashback Friday: Collaborative Clue Book

Ok, I admit it. I've missed a few Fridays lately with this Flashback Friday series. Custom orders, an upcoming craft fair, and restocking my Etsy shop have been keeping me busy lately. And I've been blogging about all sorts of other things, from artists features to haircuts. But the flashbacks are back with a collaborative book from 2008, which seems particularly relevant because I'm currently participating in a collaboration with members of BEST.

As our final project for a relief printmaking course at the University of Georgia, the entire class collaborated to make a series of limited edition, perfect-bound books. The theme was "Clue," and the inspiration could come from the board game, the movie, or just a general feeling of mystery.

The pages I made for the book are shown above. I carved an image of the board game pieces into a sheet of linoleum, and then printed it onto rag paper with black ink. For this particular print, I added green paper to the edges of the pages, as well as to Mr. Green's shirt. But each print was different, using the corresponding colors for Mrs. Peacock, Professor Plum, Mr. Green, Miss Scarlet, Colonel Mustard, and Mrs. White (from left to right).



The image above was made by my classmate, Patrick Triggs. His page was one of my favorites in the book. Rather than referring directly to the board game, his image is actually a self portrait partially covered by a larger-than-life thumbprint.



Maggie Smith created a series of tarot cards featuring the Clue characters. Instead of serving as a page in the book, they fit into two pockets inside of the book.



The cover, shown above, was made by our instructor Jennifer Manzella.

Participants: Kathryn Byrne, Matthew Cremeens, Bess Gaby, Katie Graham, Alexis Gruczkowski, Sophie Howell, Timothy McLeod, Morgan Roberts, Emily Rossell, Maggie Smith, Danielle Tobin, Colin Tom, Patrick Triggs, and myself

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